You survived Cut One. Hutson noticed.
The second collection goes further — darker, stranger, and more unsettling than the first.
A neighbour with a terror he can't name. An artist whose materials are more disturbing than his finished work. A baby monitor picking up sounds that have no business being in a child's room. A hitman who takes one job he should have walked away from.
Hutson doesn't do comfortable resolutions. He does endings that sit with you for days — the kind where you're not sure whether the monster won or whether there was ever a difference between the monster and everyone else.
Read Cut One first. Then come straight back here.