A £25 million job said otherwise. Sean Doyle thought he was done.
The mission looks straightforward: extract a kidnapped woman from a New York art dealer whose obsessions are as dangerous as his connections. The team looks capable: a demolitions expert with a grudge, a brilliant ex-soldier, and a disgraced priest with his own agenda. Nothing about this is what it appears to be.
Hutson builds Doyle's world with the kind of detail that makes the violence feel earned rather than gratuitous. By the time it peaks, you're not reading about it — you're in it.